Dancehalls in East Baton Rouge Parish

Apex Club

From Sepia Socialite, May 1942: Apex Club’s Cocktail Lounge Is Last Word In “Atmosphere” “From all over the country they come by Macie Lamott’s Apex Club, and from everyone who has sipped a cocktail in teh cool, comfortable lounge comes the remark: “This is the swankiest nite club in Colored America.” And so it is, the large stucco building (picture upper right) sits on the corner of Louisa and Braddock Streets in the shade of a giant, moss-covered oak, surrounded by an acre of parking space. Canopied side entrances lead to a spacious, streamlined private dining room, the main dance floor, center right, and through the front to the main bar (bottom left). But the feature of the Apex Club is its beautiful cocktail lounge, (picture top left, bottom right), into whose portals only the sophisticated, properly attired, can enter. Prices are a little high, services a little more replete, and accommodations are a bit more comfortable but you have exclusiveness such as is here enjoyed by Charley Brook, Apex bartender and his pretty fiancee, Thelma Smith. Other employees of M. Lamott’s Apex Club include Gilbert W. Crawford, in charge of the cocktail lounge, Lottie V. Joseph, waitress, Clyde Leduff & Abbot Emerson, bartenders, Lee Ella Collins and Beatrice Davis, waitresses, and assistant Mgr. Louis Brooks. Make your next trip to Baton Rouge a purposeful visit to the Apex Club. Lots of people we know sneak over from New Orleans.” ...

Thunderbird Beach

Mentioned in Louisiana and Texas garage magazine Brown Paper Sack, issue #1, January, 1997 in the article “Hearsin’ Around: The Playgue.″ The Playgue vocalist/bassist Lewis Moyse: “It was a kick having a record out, and (our managers) kept getting us jobs at good spots, good clubs, and crowded venues like Thunderbird Beach, just south of Baton Rouge. I remember we played there once with Bobby Loveless and his band.” ...

Golden Slipper

Mentioned in Louisiana and Texas garage magazine Brown Paper Sack, issue #1, January, 1997 In the article “Toga A Go-Go″: “The Roamin’ Togas solidified their rep throughout ’67 at most of the famed venues in South Louisiana at the time like the Beaconette in New Orleans, the Golden Slipper in Baton Rouge, the Puppy Pen in Lake Charles, Paul’s Lounge in Jeanerette, and the York Club in Lafayette.” In the article “Hearsin’ Around: The Playgue″: The Playgue vocalist/bassist Lewis Moyse: “…(Our managers) maybe thought we were going to make them rich, but they got us gigs in good places, around LSU, clubs like the Golden Slipper (a drinking club LSU students went to)…” In the article “The Bad Roads″: The Bad Roads guitarist Bryan Smith: “We’d play at the Golden Slipper in Baton Rouge, the York Club in Lafayette, LeFleur’s Roller Rink in Sulphur, the Catacombs in Houston…” ...

Prince Hall Masonic Temple

From the East Baton Rouge Public Library Places website, written by Henry Kiely http://www.ebrpl.com/oaal/places.html#temple: “(The) Prince Hall Masonic Temple in Baton Rouge…started in 1924. The Grand United Order of Odd Fellows contracted with contracted with Conner, Bryant and Bell, a Baton Rouge black contracting company, to erect a building at 1335 North Boulevard. Occupation of the Neo-classical brick building with concrete accents began in 1925…At the time the building was completed, there were some forty merchants and businesses between 12th Street and 16th Street. There were meat markets, grocers, a motor car company, a furniture company, a dry cleaners, a hardware store, a jeweler, a tailor, a drugstore, a dry goods store, a lumber company, a coffee company, and a funeral home. The two major attractions of the building were the Temple Theatre, occupying most of the first floor and part of the second floor, and the Temple Roof Garden occupying the fourth floor. The rest of the space on the second floor and all of the third floor contained offices for various businesses and professional people… The Roof Garden, now the Grand Ballroom, was the glamour spot for black Baton Rouge social functions. Best known were the appearances of national big name bands such as Cab Calloway, Fats Waller, Louis Armstrong and Duke Ellington. When they played in the spring and summer months, the huge windows of the Roof Garden were thrown open and the music reverberated throughout the neighborhood. Today, local bands provide music for scheduled activities, which are held either in the ballroom or the theatre. In the early ‘30s, the Odd Fellows experienced some financial difficulties…In 1948, the Temple was sold to the present owners, the M.W. Prince Hall Grand Lodge, F.A. & M. of Louisiana. The building became the headquarters of 179 Masonic lodges. When it became available, air conditioning installed in the Roof Garden provided a significant change for the summer months. The windows were bricked in and plywood paneling was installed on the interior. Despite these changes, the space retains much of its original character, including handsome Neo-classical detailing. Two sets of stairs at the north end of the room lead to an original balcony from which spectators relaxed while viewing the activities on the ballroom floor. Steam heated radiators provided heat during the winter months for many social activities. Debutante parties included prominent socialites of the black community. Other catered social events were fraternal dances, wedding receptions, sorority cotillions and banquets. As the social hub of Baton Rouge’s black population, the Temple is an important addition to the National Register of Historic Places. This much deserved recognition is the result of a project launched by the Foundation for Historical Louisiana to nominate buildings important to the black community in Baton Rouge. SOURCE: Preservation In Print, (New Orleans, LA.) vol. 21, no. 5, June 1994.” From the Louisiana Department of Culture, Recreation & Tourism webpage http://www.crt.state.la.us/dataprojects/hp/nhl/attachments/Parish17/Scans/17045001.pdf: “The Temple’s legendary claim to fame in Baton Rouge’s black community is the Temple Roof Garden. Stories about dances held in the ballroom are legion. Apparently its heyday as the place to go was in the late 1930s and 1940s. It was particularly popular among youth clubs for dances. Interviewees recall hiring a band when they were flush, or when times were tight, paying someone to “spin” records. However, it was the “big name” bands brought to the Temple Roof Garden by the management that fill the memories of black Baton Rougeans, who reminisce about hundreds of people dancing the night away to the sounds of such well-known bands and entertainers as Fats Waller, Duke Ellington, Louie Armstrong, Cab Calloway, and the like. An ad appearing in January 1938 proclaimed the Temple Roof Garden the “finest dancing hall South.” A headline in the same issue of The Baton Rouge Post read “Harlem Play Girls Swing Before a Record Crowd.” “It was a gay night for all on the beautiful Temple Roof Garden,” wrote the reporter. Like the theatre, the ballroom drew its patrons from Baton Rouge and nearby Southern University. According to interviewees, there were no other comparable facilities in the city available to blacks during the historic period.” Bill Bolens: “Got to go up in there last year during the Baton Rouge Blues Festival. I’d been waiting something like nearly 30 years to go up in there and finally got the chance when Dege Legg had a rent party gig there. I took a bunch of pictures also. The place got history…….” Photos courtesy of Crt.state.la.org and creolegen.org ...

American Legion Hall

Will Laborde: “The American Legion Hall has a monthly dance. They usually have Swamp Pop or variety bands play there. It is the largest and finest wooden dance floor I have seen in the state. We used to have our Baton Rouge Cajun French Music Association dances there for several years until it became cost prohibitive. I go there periodically. What a great non-smoking dance venue.” ...

UCT Hall

United Commercial Traveler’s Council Hall 11175 FLORIDA BLVD BATON ROUGE, LA, 70815 http://www.uctbatonrouge.com Will Laborde: “I am a member of the Cajun French Music Association, Baton Rouge chapter. We have monthly authentic Cajun dances once a month at the UCT Hall. They are open to the public. It is a family setting as kids and teens are also invited to learn to dance and appreciate the music. It is NOT a bar scene though low alcohol beverages are sold. There are numerous birthday parties and anniversaries are held at our dances. It is a non-smoking facility. We hold these dances to continue the art and culture of Cajun dance. We also have teach free dance lessons with paid admission one hour before each dance.” ...

Independence Hall

Large theatre in Baton Rouge that featured national touring acts as well as popular local bands ...

Blues Room

244 Lafayette Street Baton Rouge, LA 225-334-7663 Blues Room FaceBook page New York Time Article- January 15, 2015 ...

Phil Brady’s

4848 Government Street, Baton Rouge, LA 70806 225-927-3786 http://www.philbradys.org Oscar “Harpo” Davis at Phil Brady’s 2010 ...

Teddy’s Juke Joint

Blues Club with bands most Friday and Saturday nights Teddy’s Juke Joint ...