1953 photo of Henry Jackson on the drums there is in the Ralston Crawford Jazz Photography collection at Tulane University http://cdm16313.contentdm.oclc.org/cdm/singleitem/collection/p16313coll4/id/484 ...
American Legion Hall
1950 photo of Lefty Eirmann on the sousaphone and Charlie Favrot on drums at a dance at the American Legion (Gentilly Post) Dance Hall is in the Ralston Crawford Jazz Photography collection at Tulane University. http://www.louisianadigitallibrary.org/cdm/singleitem/collection/p16313coll4/id/127 ...
Happy Landing Lounge
1950’s jazz club in New Orleans 1951 photo of Joseph “One Eyed Babe” Philips playing acoustic bass there is in the Ralston Crawford Jazz Photography collection in the Hogan Jazz Archive at Tulane University http://www.louisianadigitallibrary.org/cdm/singleitem/collection/p16313coll4/id/876 ...
T Noon’s Place
Also known as the New Lake Inn Owner was T-Noon Bailey “The little fella with the biggest spot on the Levee” Cocktail Lounge “Wine, liquor, beer, mixed drinks, soft drinks” Dancehall- “Beautiful Dance floor, always good music” “If you don’t drink or don’t dance…just come out and visit.” “Live it up on the Levee” Photo courtesy of Regina Duval ...
Four Corners Bar
Photo courtesy of Robert “Robbeaux” Herbert LouisianaDancehalls.com reader comment by Robert “Robbeaux” Herbert: “Growing up in Abbeville, La. many people in the area had camps you could rent, and you could go down to the Cajun Riviera and let your hair down. Sometimes it was not all play, as we would go there and pull a seine hoping for a load of speckled trout, often ending up with a bunch of croakers and gafftops. Well one night I snuck off to the Four Corners when everybody was sleeping ( i was about 12 years old) and would go check out who was playing. It was a rock band called ‘Nickelodeon’ and as i remember, were pretty good. I was getting into guitar at that time, and my future bandmates all thought of playing the Four Corners as achieving Rock Star status…My friend Bobby Charles lived there and one of his sons had acquired the lease on the club, ‘Wanna play the Club?’ he says, and we booked it in September 2005, one week before Clarence ‘Gatemouth’ Brown was to appear. We went as ‘Willie Purple’: Chuck Leger on Guitar, Kevin Weekly Bass, Gary LeBlanc (R.I.P.) on Drums, and myself on Lead vocals and Harmonica. Even Miss Cameron 1955 was in there too, kicking up some cornmeal on the dancefloor. Had a blast, packed house, only one fight, made some money. Unfortunately, we were the last band to play the Four Corners Bar, as the following week a Hurricane named Rita changed all that.” ...
Theriot’s Western Lounge
Crowley Post Herald article, October 9, 1970 describes at is being on “west Highway 90” and “providing the finest Country and Western music backed up by traditional French music on Friday and Saturday nights.” Photo courtesy of T-Bert and A.J. LeBlanc ...
Scrantz’s
Dunice Theriot promo picture lists it: “Playing every Saturday night at Scrantz’s, Grand Anse” Photo courtesy of T- Bert and A.J. LeBlanc ...
Comus Club
From http://www.canerivernha.org/historic-natchitoches: “Blanchard Building – Also known as the LaCoste Building, this building was constructed in 1850. The second floor was a dance hall called the Comus Club. The building is one of two in Natchitoches that retains its original carriage drive from the street into the rear courtyard.” Washington Street, Natchitoches ...
Coconut Island Barroom
Dayna Bowker Lee: “There were a couple of halls in the Isleno community in St. Bernard Parish. One was the Coconut Island Barroom, destroyed by Katrina but replicated now on the Isleno cultural park property.” From http://www.losislenos.org/museum.html : “The Society moved the Coconut Island Barroom, a 1920 cypress board and batten structure, and the Estopinal House and kitchen, dated circa 1800 to the museum grounds as part of a plan for a master complex. The Coconut Island Barroom was one of the last board and batten commercial structures remaining in St. Bernard Parish. In the past, barrooms like the Coconut Island were centers of commerce and community gathering places.” From http://www.louisianafolklife.org/LT/Articles_Essays/islenos.html#tab14 written by Sara Ann Harris: “At the turn of the 20th century good fortune visited the Isleños. When the trend to wear fur escalated among Americans, Mom and Pop Traders profited tremendously… Most important to their cultural lives, they built dance halls in each village. The halls cultivated décima singing, dancing, traditional cooking, and speaking Spanish. Dance halls also strengthened their survival skills: strong family ties and community reciprocity. The Isleño experience of their identity was heightened during the Dance Hall Era. Every Saturday night, parents, children, teenagers, grandparents, infants – everyone – went to the dance. Dance contests were open to all ages and proud winners showed off their prizes. New Orleans bands played at the dance halls until midnight, then the community sat down for a meal… After dinner the singing began. The décimeros might go after anyone: an unfaithful aunt or a neighbor who carelessly busted his boat motor. No one knew who the décimero would rib. Everybody took great delight in the décimas. And so it would go, week to week, from Isleño town to Isleño town. To negotiate life in the outside world, the Isleños learned French in the 19th century and then English. However, on Saturday nights at the dance halls, everyone spoke Spanish, sang in Spanish, and told jokes in Spanish. Their language was a source of pride. Outside of the dance halls, life repeated a familiar pattern: hardship at the hand of natural forces and the struggle to recover. The Mississippi River Flood churned into south Louisiana in 1927 and the Isleños were faced with major destruction of the landscape, loss of life, and property. The damage to these communities was intensified by the diversion of flood waters into lower St. Bernard Parish, a tactical move to preserve the city of New Orleans. It took years for the Isleños to recover after the Great Flood. Some families moved to northern St. Bernard Parish and took day jobs. Beginning in the 1930s, some signed on for more reliable employment in the new oil and gas sector. About the same time, roads and public education introduced many new people to lower St. Bernard — and many more Isleños to the outside world. Those who returned after the flood began hunting, trapping, fishing and shrimping again. They also rebuilt the dance halls, where cultural traditions thrived through the 1940s. Today, Isleños tell stories about dance halls in the 1950’s, but by then, they explain, Saturday nights were not necessarily family events or exclusively for Spanish-speakers. Nor did they feature décima singing or midnight Spanish/Louisiana dinners. The Isleño identity was fading.” ...
Jungle Bar
Dayna Bowker Lee: “If you’re driving to Natchitoches, there’s (an) old hall still standing on Hwy. 1 not too far south of Cloutierville on the east side of the road. It’s a huge red barn structure. I’m pretty sure I have a photo of it, and I think it was called the Jungle Bar.” ...